Experimentation continued for several decades, but high costs and the pressures of the Great Depression prevented studios from wholeheartedly adopting 3D. Because of the cumbersome nature of the format, only one movie was ever developed specifically for the Teleview System. Small viewers attached to the seats were synchronized to open and close their displays in accordance with the projector. This form of projection rapidly alternated frames from two film reels. Cassidy debuted their Teleview System in late 1922. Filmmakers and theater owners continued to experiment with the growing 3D market. Unfortunately, The Power of Love did not achieve wide release and the film has since been lost. Red and Cyan are the most commonly chosen colors because that combination produces less image ghosting than others. When combined with a pair of corresponding film strips, viewers achieve the 3D effect. These glasses use lenses of opposite colors. This was also the first 3D film to make use of anaglyph glasses. The first commercially released 3D film was 1922's The Power of Love. The quality was apparently good enough to convince several members of the audience they were about to be run over. This short by the Lumiere brothers depicted an oncoming train roaring into a station. The popular pick is a 1903 short called L'arrivee du train. Some debate still exists as to what technically qualifies as the first 3D film. Viewers could then view the screens through a stereoscope, merging the two images and creating the illusion of 3D. As described in William Friese-Greene's original patent, stereoscopic 3D films were broadcast on two separate screens. The dominant technology to arise in this era was stereoscopic 3D. Almost from the beginning, studios and filmmakers were searching for ways to display their movies in three dimensions. Early 3D Efforts The motion picture industry began taking shape in the late 19th and early 20th Centuries.
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