![]() ![]() “All these ways we’ve been taught to read painting, regardless of how conceptually situated it is, she kind of mucks with.”Īll of this is high praise considering the relative newness of Douglas’s career. “Douglas’s work raises questions about authorship and how we value painting its connection to the artist’s hand, and our ability to understand the technical virtuosity,” Taxter says. (The majority are reproductions of canonized classics or hotel decorations.) In other cases, she has ordered entire compositions from Dafen, a village in China that produces more than half of the world’s paintings. As she does for much of her work, she hired another painter to render the more detailed hands, while the sleeves are her own handiwork. Photo: Jason Mandella.ĭouglas did not make the paintings on view at the Jewish Museum alone. Installation view of the exhibition “Eliza Douglas,” May 4 – October 21, 2018, Courtesy of the Jewish Museum, NY. ![]() I wanted to know what was going on there.” “There was a sense of irony that I couldn’t quite place. “I thought her paintings were mysterious and sort of funny,” she recalls. She encountered her work again in 2017, when Douglas was included in a group show at James Fuentes Gallery in New York. Douglas was an undergrad on the same campus. Taxter first met the artist in the late 2000s when she was in grad school at CCS Bard. “She forces you to think about the relationship between the two.” “There’s a stark tension between the figurative and the abstract,” says Kelly Taxter, an associate curator at the Jewish Museum, who organized the show. The hands are delicate and lifelike the sleeves, sloppy and gestural. The paintings, titled Shadow and Light and Blood and Bones after lines in Dorothea Lasky poems, both feature a pair of hands connected to flimsy, elongated arms that wind around the outside of otherwise blank canvases. Photo courtesy of Vincenzo Pinto/AFP/Getty Images.ĭouglas and I met at the Jewish Museum, where her two new paintings hang in the lobby-her first museum presentation in the US. Eliza Schneider at the Internet Movie Database.Eliza Douglas in Anne Imhof’s Faust at the 2017 Venice Biennale.Assassin's Creed: Valhalla (2020) - Rebecca Crane.Assassin's Creed: Syndicate (2015) - Rebecca Crane.Assassin's Creed IV: Black Flag (2013) - Rebecca Crane.Assassin's Creed III (2012) - Rebecca Crane.Assassin's Creed: Revelations (2011) - Rebecca Crane.Assassin's Creed: Brotherhood (2010) - Rebecca Crane.Assassin's Creed II (2009) – Rebecca Crane.In the Assassin's Creed series, Schneider provides the voice of Rebecca Crane in Assassin's Creed II, Assassin's Creed: Brotherhood, Assassin's Creed: Revelations, Assassin's Creed III, Assassin's Creed IV: Black Flag, Assassin's Creed: Syndicate, and Assassin's Creed: Valhalla. She has voiced characters in TV shows such as King of the Hill, South Park, Johnny Bravo, and Invader ZIM and has voiced characters in video games such as Kingdom Hearts II, Pirates of the Caribbean: The Legend of Jack Sparrow, Titan Quest: Immortal Throne, and Dragon Age: Origins. She has appeared in TV shows such as Girlfriends, Spy TV, Beakman's World, and The Amazing Live Sea Monkeys. Eliza Schneider (born 3 February 1978) is an American actress and voice actor. ![]()
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